Eléonore Lamothe (Audio Performer)

Eléonore Lamothe was born and raised in a tiny town called Clare in Nova Scotia. She moved to Montreal at age fifteen to pursue studies in classical ballet and a career in acting. In 2019, she completed her bachelor’s degree at McGill University with a major in Drama and minor in Mathematics. She currently resides in Paris where she is completing her second year at l’École Internationale de Théâtre Jacques Lecoq.

Katey Wattam is director and creator of mixed English, Irish, and Anishinaabe ancestry. She drawn to stories that connect with her ways of knowing while allowing space to explore and experiment with theatrical forms through an Indigenous lens. Through her corporeal based practice, she uses the medium of theatre to reclaim the Indigenous soul, to strengthen, resist (and repair) what has been lost for ensuing generations. She is an alum of McGill University, MAI Alliance program, and Black Theatre Workshop’s Artist Mentorship program. Katey is currently an artist-in-residence with Imago Theatre developing a theatrical adaptation of Katherena Vermette’s poetry book, river woman. Selected directing credits include: Reasonable Doubt (AD, Persephone Theatre), Dominion(Staged Reading, Gwaandak Theatre), The Penelopiad (AD, Ferre Play Theatre), Night Cows (Factory Theatre) , Persephone Bound (AD, Imago Theatre), Reaching for Starlight (AD, Geordie Theatre), Cherry Docs (Beige Theatre Co.), Clean Slate (AD, Talisman Theatre), Richard III (Moyse Hall). 

Rosie is a musician and writer based in Montreal. She has worked for a variety of local media and arts organizations, including CKUT Radio, Geordie Theatre, and, currently, the Quebec Writers’ Federation. She also sings and plays synth in Bodywash, who are releasing their debut album, Comforter, this fall. She’s been honoured to be a part of such a magical production and hopes to hear moos in her sleep until the end of time.

Alexandra Montagnese is an actor, puppeteer, and theatre creator. She has performed in numerous indoor and outdoor settings including SummerWorks, Rhubarb, and Fringe Festivals across Canada. She has worked with Theatre Rusticle, Watermark Theatre, Thousand Islands Playhouse, Young People’s Theatre, Theatre Direct, Shadowland, Infinitheatre, and L’Autre théâtre. She is a founding member of Jot & Tittle Puppetry Collective, and is a core company member of Lucid Ludic who produced her one-woman show Public Mischief which won her venue’s pick of the fringe at Kingston’s Storefront Fringe 2018. With a small group of puppet enthusiasts, Alex started Toronto’s seasonal puppet and performing objects event Concrete Cabaret. When she is not performing, Alex is an arts educator teaching with Shakespeare in Action, and puppetry to elementary school children. In the summer, Alex will be presenting her newest tabletop puppet show A Short History of Niagara as part of the Shaw Festival’s 2021 Season.

Anna Jane McIntyre is an artist with a playful practice that combines storytelling, drawing, sculpture, printmaking, performance and microactivism. Her work investigates how people perceive, create and maintain their notions of self through behaviour and visual cues, and is an ever-shifting visual mashup of British, Trinidadian and Canadian cultural traditions. Her work has been presented in Canada, the United States, England, Europe, Brazil, South Africa and the Caribbean. Projects have been made possible through the generous support of the Canada Council for the Arts, Vivacité Montréal through the Conférence régionale des élus de Montréal (CRÉ), the Conseil des arts de Montréal (CAM) and the Conseil des arts et des lettres du Québec (CALQ) and the mentorship program of the MAI - (Montréal, arts interculturels). She lives and works in Montreal. 

Hannah Kirby is a theatre artist specializing in lighting design & technical direction. After completing a degree in Theatre, Mathematics, & Music at Mcgill she attended the National Theatre School, and has been working across the country ever since. Hannah recently returned from Saskatchewan where she was interim Technical Director at the Globe Theatre in Regina. Recent credits include Associate Sound Designer for “I call myself Princess” (Globe), Lighting designer and Technical director for “Papillon” (Helen Simard & Dance Cité), and Production Manager for “Black & Blue Matters: Track 1”(Black Theatre Workshop). Hannah is grateful to be revisiting this project in a new role and participating in it’s adaptation to a new form!